Hazel Wilde (vocals, music, lyrics) and Paul Gregory (guitars, production) remain the two original members from the band's inception in the mid-noughties, after their original drummer recently left for pastures new. Enter Phil Selway, who has upped sticks and stepped in to bring his experience in recording the new album, as well as joining them on tour, with the band playing with not just one but two drummers. With the rhythm section being a Radiohead part, the music is supported by a remarkably well-structured and measured percussion quality, with Bob Allan holding down a judicious bassline.
Lanterns on the Lake last played Islington Assembly Hall just before Covid. Musically, they have steadily progressed their sound and identity over their five remarkable albums, bringing a gravitas to their performance that has transcended this relatively small venue of less than 900 people. however it is inversely enhanced by seeing them perform in such an intimate setting.
Hazel has a rich and distinctive vocal style and puts a lot of work into crafting lyrics that cover a variety of existential topics. Paul's guitars are complemented by Angela Chan playing violin/viola, full of effects. As the band has matured, Lanterns on the Lake have become more adept at capturing the listener and taking them on an emotional journey through colorful soundscapes.
Likes of Us followed by Real Life, both songs from the new album, open the set. The latter is upbeat and optimistic in its dreamy optimism. Every Atom and Baddies follows on from Spook the Herd and is a reminder of just how complete this album is. The band is tight, the acoustics are clear and for once the volume isn't that loud.
Hazel fills some of the gap between changing songs as she moves between guitar or keyboard, with a touch of cheeky banter. as opposed to some light cheers from her many fans in the audience. One begs her to marry him. Hazel nonchalantly replies, “but we're not even on a date.”
Paul has a rack of guitars (which he clearly loves) – a specific one for each song. He is often lowered, deep in concentration, scrutinizing every note he plays. A bow comes out for the tearjerker Ships in the Rain, and for the outro of the track that closes Last Transmission, he looks close to channeling some Cobain-like energy and shredding his guitar. Fortunately, it doesn't go that far.
The music rises and soars as they end the first set with the anthemic Swimming Lessons, before being welcomed back with enthusiastic shouts, whistles and applause to finish the night with a 3-song encore. Overall, an elegant and refined performance.
Set list:
The Likes of Us
Real life
Every person
Bad guys
Blue screen beams
When everything comes true
Rich girls
Vatican
Through the Cellar Door
Grasshopper
The Saboteur
Thumb of War
Swimming lessons
I call again
Ships in the rain
String Theory
Last broadcast
