Fana Hues' voice can only be described as romantic. Whether she's singing about new love or loneliness, her timbre often conveys a rich sense of desire. It bounces wildly through the dobby piano and Tyler's flirty The Creator's “SWEET / I TOUGHT YOU WANTED TO DANCE,” but also swims through rivers of uncertainty and echoing guitar in 2022, hoping for 2022 as always day. a spring sunrise. This aura has surrounded her music, beginning with her early years singing in her family band and in school productions The Wiz on her first two solo albums of 2020 Shades and 2022 flora + lanterns. It has shades he said She wants to “show the full range of emotions” in her work, which unfolds through her delicate vocal runs. Her third studio album Mothā short for Matters of the Heartā shows Hues in absolute confidence, standing on firmer emotional ground as a writer, singer and lover.
In the past, the content of the Hues' love songs often touched on their brighter presentation. flora + lanternsIts “breakfast” feels like charm – shimmering, doo-wop guitar strums succumbing to a wall of rich bass and synths – but in its sheer excitement, the story of post-relationship heartbreak feels more like a hollow Harlequin romance novel. āI must have left my heart where my head isā¦ I woke up on the wrong day. I forgot breakfast,ā she says sweetly, forcing herself to go through the motions. But Moth he moves greatly with more clarity and confidence. In the bridge of 'Gone Again', he approaches a similar situation from the other side. This time, she's the one who wonders where the relationship stands, content to weather any consequences: āI know you're here with me, we're fine/And what we are won't be defined/I still want you to say 'You're mine baby .ā Uncertainty still prevails, but this time, she's the one calling the shots.
Like the insect from which the album takes its name, in her transformation, Hues exterminates fear and doubt – and embraces the lust for life. Take the dance-ready single “Rental,” where he compares a casual fling to the thrill of fun in a fancy car: “Let's forget the safety/No destination/No course/Don't it feel better when it's not yours?” Ā» Or consider “What Speaks,” which does away with metaphor altogether and asks a potential partner exactly what their desires are in and out of the bedroom. Hues doesn't just welcome the future, it relishes it. Producer Josh Grantāwho credits nearly every songādelivers waves of rich digital and acoustic funk that bathe these mini-affairs in vivid technicolor.
from our partners at https://pitchfork.com/reviews/albums/fana-hues-moth