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Originally from Austin, Texas, country music artist Ellis Bullard releases his latest album, Honky Tonk is not noise pollutionthrough the Feels So Good Records label.
Reflecting on the album, Bullard passionately states: “This album encapsulates more than a decade of triumphs and setbacks. It is a culmination of blood, sweat and tears, no nonsense. The camaraderie with the talented musicians, who feel like brothers, translates into incredible energy both on stage and in the studio. the studio… We are delighted to have captured and presented that essence on this album.”
The inspiration for the title song came to Bullard during a visit to Steamboat, Colorado. An unexpected encounter with a sign that said, “Lago Vallecito, It is not a place, but a state of mind” sparked the creation of the song.
In 2021, Bullard delivered “Roller Coaster” and a series of singles, paving the way for his debut album. Hot Freightlining Country Music, in 2022, with standout tracks like “Chasing Numbers” and “Biloxi By Two.” The following year, her EP, Prison In My Mind, was released.
Having shared stages with renowned artists such as Randy Rogers, Reckless Kelly and Cody Johnson, Bullard's sound is inspired by legends such as Merle Haggard and Jerry Reed, infused with the spirit of Mo Bandy and Joe Stampley collaborations, resulting in resulting in a perfect combination of classical music. and subtle country outside the law.
Rooted in a family of musicians, Bullard's mother made her mark as a featured performer at the iconic Muscle Shoals studios in the '60s and '70s, while her great-grandfather was a renowned guitarist associated with Chet Atkins.
Consisting of ten tracks, the album begins with the upbeat “Lucky Me, Lucky You, My Unlucky Way,” which features an upbeat beat and a delicious swing feel. Bullard's resonant voice, marked by a seductive accent, captivates with every note. A standout track, “What's A Man To Do,” gets personal favor, evoking classic country vibes that sway with harmonics, showcasing Bullard's lush vocals and contemplative tones reminiscent of George Strait.
“Patron And Lime” shifts gears with twangy guitars and shimmering piano, as Bullard’s distinctive phrasing and rich vocals infuse the lyrics with a tender, flavorful flow. The moving “Hopeless Waltz” delves into heartbreak and loneliness, conveyed through Bullard's soulful vocals and weeping guitars that enhance the melancholic texture of the melody.
Closing in style, the title track, “Honky Tonk Ain’t Noise Pollution,” begins with seething, growling guitars and Bullard’s compelling vocals, injecting a sense of urgency into the lyrics. “Nowadays the radio is broken / Everybody's for sale.” The album resonates perfectly with a wide audience, transcending genre boundaries and making it accessible even to those who don't normally gravitate towards country music.
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